Fantasy Film Frame Creating-Jungle Hunter

37,944students enrolled Length 0 Lecturer Valentin Erbuke

$ 59

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Features
- Industry： CG电影
- Skill：场景|载具模型
- Software： Maya ZBrush
- Tags： CG maya
- Lectures：0(Completed)
Introduction
| Tutorial Description |
INTRODUCTION

| This course will teach you how to create a cinematic character and environment,
it can be broken down into 3 chapters: |
1.Character Modeling 2. Scene Design 3. Rendering & Compositing
More about instructor:1.Artstation
Updating version: 60USD now，
Completed version: 80USD。

NOTICE:
This tutorial is not suitable for beginners, it requires the students to some basic knowledge
of Maya modelling and Zbrush sculpting.This course will focus on character
design ideas, model texturing, scene design and rendering.
Some parts in the course were speeded up, which inlcude model sculpting and UV process.
We will provide all project files to help you learn

All the tutorials on our website are not available offline,
please sign up an Yiihuu account for watching. (We support sign up with Facebook）
Facebook: | Eva | Alexa Xu | Peter Hua | Cloris
| TRAILER |
Jungle Hunter is a tutorial of film-level realistic character model. The course can be broken down into three chapters: Character Modeling, Scene Design and Rendering & Composition. Covers topics of: Designing Concept, Model sculpting,UV, Material Making, Skin Texturing, Character Binding, Lighting Rendering, etc.; A whole process of film-level superb modeling technology, we sure it is going to take you by surprise!
Character Modeling
Chapter 1：
Core Information

Design of a character begins with the concept, using ZBrush and Maya combined to complete the basic blocking and high poly mesh making. The combination of high-detailed facial design and elements of elves and jungle is the highlight of this section,following by the cinematic standard topology and UV unwrapping, displacement maps extraction in ZBrush, texture drawing in Mari, creation of realistic eye,pose design;
Duration：7-9 hours
Software：ZBrush 4R8, Maya 2018, Mari 3.2v1, Arnold 5
Scene Design
Chapter 2:
Core Information

It will show you how to sculpt the environment in ZBrush, set up the shaders in MARI as well as scattering by using MASH in Maya...Scenario design is the focus of this tutorial
Duration: 3+ hours
Software：ZBrush 4R8, Maya 2018, Mari 3.2v1, Arnold 5
Rendering & Compositing
Chapter 3:
Core Information

Finally, it teaches you how to combine and finish the image. And it provides solutions to rendering in Arnold, creating hair for the character in XGen and using Nuke to composite the image.
Duration: 1 hour.
Software：ZBrush 4R8, Maya 2018, Mari 3.2v1, Arnold 5
| Two reasons you should not miss out |
It is a tutorial containing both creation of a character and details of environment.
Advanced character modeling techniques, come as a combo
Highlights of this course
One for all! There are lots of key learning points in this case analysis, each one of them can be considered as one course itse-lf
| How to buy this tutorial? |
For your convenience, we support Alipay, WeChat Pay and PayPal. For further information and other payment methods, please contact us. Facebook:https://www.facebook.com/alexa.xu.1048 Email：xuyq@goyor.com we would kindly assist you anytime we could.
| Uniques Q&A Service Just for Yiihuu.com Students Providing the Best Assistant as We Could |
Question and Answer Service for You
ONLY for purchasers
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Learning Group
Exclusive group for the tutorial
If you have any question while learning, please leave your comments on our page.
We'll get back to you and help asap.
You would be invited to our learning group exclusive for the tutorial once enrolled students reach a fair number
Let us be your partner on the road!
| Learning with No Doubts |
(Question)
What can I learn from this tutorial?
(Answer)
The highlights of the tutorial is industry standards for advanced high-end character creation and environment creation.
(Question)
Will the tutorial cover the applying of low poly?
(Answer)
No. The goal of this course focuses on creating a character ready for cinematic and is going to cover production pipeline for cinematic including specific techniques that do not transfer to the games pipeline directly.
| Tutorial Directory & Update Plan |

Chapter 01: The Character

1.Finding a concept, getting references

2. Blocking out the character

3. Modeling

4. Face Sculpting

5. Retopo and UVs

6. ZBrush extraction

7. Texturing and Shading

8. Eye

9.Posing
Chapter 02: The environment

10. Blocking

11. Modeling

12. Texturing

13. Scattering in MASH 01

14. Scattering in MASH 02

Chapter 03: Combining and finishing the image

15. Lighting and Rendering

16. Hair creation in XGen

17. Composition in Nuke
| Tutorial Details |
Items
Details
Name
Instructor
Content
Length
Software
System
Suitable for
Project file

Fantasy Film Frame Creating-Jungle Hunter
Valentin Erbuke
HD Videos
12 hours/17 videos
ZBrush 4R8, Maya 2018, Mari 3.2v1, Arnold 5
No requirement
Modeler,VFX artist
none
| What will you learn from this course? |
A whole workflow techniques for industrial standard characters & scenes
High-precision character design concept and model sculpting
Fine and lifelike skin, texture, hair creation
Light Testing and Export
| character artist Advanced teaching |
Valentin Erbuke
Valentin Erbuke has been working in the industry as a character artist. He started his career at FuseFx and now he is at the Mill in Los Angeles. He is experienced in various aspects, including TV commercials and film production. As a character artist,He has a wide range of skills going from obvious modeling, sculpting, and texturing, but also blendshapes, lookdeving and even so lighting.

CG Film Still Frame
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课程作品
- Kistein Do 精选评论
  
  Why don't you do this in only Subtance Painter and must switch to Mari
  
  源自Section23：Texture and shading-1 02-26 00:40:27
  
  2 0
  - Irene Zheng 主编
    
    Substance Painter is more suitable for hard-surface material, thus Mari can result in a better effect in this case.
    
    03-20 11:06:18 0
  - Valentin Erbuke 讲师
    
    Hello Kistein, Substance Painter is a great tool but it struggles to handle UDIMs the same way MARI does. MARI also doesn't worry about seams In this case, the character had 36 UDIMs, which made MARI the tool to use. I needed the texture resolution and quality that came with all those UDIMs.
    
    05-14 23:29:57 0
- synshenron
  
  i cant seem to download the project files i always get a network error
  
  源自Section4：Modeling-1 03-23 01:22:39
  
  1 0
  - Irene Zheng 主编
    
    The link is available, please try again. When you open it, please click the blue button (download) here.
    
    03-25 17:43:40 0
- Renard Vivek
  
  Hi vivek here please text me on my mail ID
  
  源自Section1：Finding a concept, getting references 12-29 15:45:41
  
  2 0
  - Irene Zheng 主编
    
    Hi Vivek, what do you mean?
    
    12-29 17:06:29 0
  - Renard Vivek
    
    Thank you, I got my answer on facebook. I want to choose a right course , Simple
    
    12-29 19:56:16 1
- Irene Zheng 主编
  
  Hey guys, for those who don't understand Chinese, please contact me for more information on this tutorial, let me walk you through.nbsp;:)Facebook:nbsp;https://www.facebook.com/wangmanhui
  Cheers! Eva Wang
  
  12-17 17:57:37
  
  0 0
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